The sixth in the Delaware Series, Private Eyes expresses the sense of accomplishment that our favorite Kellerman creation - Alex Delaware feels, when his patient of many years - Melissa Dickinson, a then seven year old traumatized by an anxiety disorder - walks out of his LA surgery two years thence; healed. He views the girl’s case as one of his greatest achievements, happy to have transformed the phobic, fearful child into a confident and happy kid.
Eleven years have passed, and now Melissa is an eighteen year old Harvard aspirant and wealthy heiress to her actor mother’s estate and riches. She calls Delaware, seeking help for her reclusive mother. Before she was born - Gina, Melissa’s mother, was touted to be a budding star with a promising future. Promising, until Melvin Louis Findlay, 28, (Black-American, on March 3 1969, posing as a Western Union messenger), attacked her with acid - she suffered from third degree facial burns to the left side of her face, but her eyes, thankfully, were safe. Three days later, a former lover and employer of Gina - Joel McCloskey, is arrested as a prime suspect.
Two decades later, she spends her days in a cavernous mansion, too scared and emotionally scarred to face the world. So affected is she by the assault, that she suffers from agoraphobia. The news that her assailant is free and roaming the streets of LA, only makes matters worse. Gina, who was widowed years ago, is remarried and undergoing intensive therapy with a husband-wife duo of behavioral psychologists. The only other support the mother and daughter seem to have is the stolid Mr. Jacob Dutchy, the family retainer and their Man Friday.
When Alex arrives at the mansion, he learns that Gina has driven away, and no one knows where - amazing feat for someone who wasn’t confident enough to even peep out of her front door! Along with his loyal sidekick – Milo, the two take on the case, the latter only too happy to get a break from an enforced sabbatical aka disciplinary leave, from the LAPD for having whacked a homophobic superior, that too on TV.
On the personal front, Alex gets back with Robin, after his brief fling with Linda in Time Bomb - though the details are sketchy and unsatisfying. His character is credible and rock solid, considering this is his sixth appearance since Kellerman created him in 1985.
Kellerman is well known for his prolific writing based on psychopathology, and is an Edgar and Anthony Award winning author. Jonathan was offended by “the moron reviewing for the New York Times detested the book and savaged it as “thin gruel.”
He shouldn’t be, for the story does get predictable, tending to drag a bit; despite ingesting temporal relief through twisted and sometimes hilariously nefarious characters, the story is at best, a travel-read, a bus/train journey and its over - you may deal with the temptation of skimming a few pages hurriedly to get to the end- which, although the book sales were modestly significant, is somewhat disappointing, as the villain in the piece is someone who hardly surfaced anywhere in the book- a real dampener in a mystery novel!
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Eleven years have passed, and now Melissa is an eighteen year old Harvard aspirant and wealthy heiress to her actor mother’s estate and riches. She calls Delaware, seeking help for her reclusive mother. Before she was born - Gina, Melissa’s mother, was touted to be a budding star with a promising future. Promising, until Melvin Louis Findlay, 28, (Black-American, on March 3 1969, posing as a Western Union messenger), attacked her with acid - she suffered from third degree facial burns to the left side of her face, but her eyes, thankfully, were safe. Three days later, a former lover and employer of Gina - Joel McCloskey, is arrested as a prime suspect.
Two decades later, she spends her days in a cavernous mansion, too scared and emotionally scarred to face the world. So affected is she by the assault, that she suffers from agoraphobia. The news that her assailant is free and roaming the streets of LA, only makes matters worse. Gina, who was widowed years ago, is remarried and undergoing intensive therapy with a husband-wife duo of behavioral psychologists. The only other support the mother and daughter seem to have is the stolid Mr. Jacob Dutchy, the family retainer and their Man Friday.
When Alex arrives at the mansion, he learns that Gina has driven away, and no one knows where - amazing feat for someone who wasn’t confident enough to even peep out of her front door! Along with his loyal sidekick – Milo, the two take on the case, the latter only too happy to get a break from an enforced sabbatical aka disciplinary leave, from the LAPD for having whacked a homophobic superior, that too on TV.
On the personal front, Alex gets back with Robin, after his brief fling with Linda in Time Bomb - though the details are sketchy and unsatisfying. His character is credible and rock solid, considering this is his sixth appearance since Kellerman created him in 1985.
Kellerman is well known for his prolific writing based on psychopathology, and is an Edgar and Anthony Award winning author. Jonathan was offended by “the moron reviewing for the New York Times detested the book and savaged it as “thin gruel.”
He shouldn’t be, for the story does get predictable, tending to drag a bit; despite ingesting temporal relief through twisted and sometimes hilariously nefarious characters, the story is at best, a travel-read, a bus/train journey and its over - you may deal with the temptation of skimming a few pages hurriedly to get to the end- which, although the book sales were modestly significant, is somewhat disappointing, as the villain in the piece is someone who hardly surfaced anywhere in the book- a real dampener in a mystery novel!
+-+Authored+by+Jonathan+Kellerman.JPG)
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