Kellerman has a knack for throwing the reader off scent with riveting sub plots - Bad Love, the eighth in the Delaware series, is no exception. The two Wallace sisters, Tiffany and Chondra, traumatized by the brutal murder of their mother, Ruthanne, by none other than their father, Donald Wallace - are Delaware’s patients. Four months after his incarceration in Folsom prison, the Court rules that Donald can see his daughters, twice a month at the prison, which is a plane ride away for the girls, currently in the care of their maternal grandmother - Evelyn Rodriguez.
Stephen Huff, an LA court judge is against granting Wallace paternal rights, considering history, and asks Alex to draw up a profile with the help of the children, to stall the procedure, stating that the visitation would further harm their already fragile psyches. Whilst Delaware is contemplating just how to break the ice with the girls, he ignores the package that arrived for him that morning. When he retrieves the brown package later, he finds an audio cassette inside, he plays it to find out what the message in it is; Alex is sickened and shocked - a blood curdling scream of a male, panting like an animal, howling in torturous pain. So loud an disturbing are these maniacal sounds, that Alex moves to lower the volume, and just as he is about to - silence ensues from the tape.
A new, almost cherubic, ethereal voice, a child’s - starts a low, stomach-turning, ghostly chant: ‘Bad love, bad love…Don’t give me that bad love…’ It is repeated four or five times, creepier and more onerous than earlier, Alex could almost see in his mind’s eye, the child who was chanting - ghostly, grey and emaciated.
As he delved into his ‘Black Museum’ aka the bottom drawer where he kept his files, all the while his mind is overwhelmed and replaying sounds of the chant. He decides against retrieving the Ruthanne files, and instead tries to find the meaning of the phrase ‘bad love’ - ransacking the corners of his mind – past and present- lifting and opening recesses - still no clue. Could it be a client from the past, giving in to his/ her schizoid fantasies, or was it Wallace come to haunt him from behind prison walls?
Delaware decides to reach out to Milo Sturgis, the LAPD detective and friend. However, Sturgis is especially busy since all the efforts the Department made to ensure he retires early - are stalled by the rock willed officer. Meanwhile, as Delaware comes home, he is greeted by a bulldog, which he waters and takes to a vet. On his way back, he chats up with Milo, who tells him that sometime earlier a social worker called Rebecca Basille was murdered, and the killer had screamed the phrase out loud enough for a clinic director to have heard it but he wasn’t able to save her, as the psycho hacked her to bits.
In the evening, when Milo pays him a visit, he also christens the dog – Rover. They try and find clues about the origin of the tape - but are helpless. Meanwhile, as the days progress, Alex is sent chilling reminders – a creepy laugh on the phone, vandalism and trespassing. He seems to be the target of a sick psycho, out to get him. But who is it?
An intricate plot weaves its way into Delaware’s past when he worked at the LA’s Western Pediatric Medical Centre as a child psychologist. He comes across a file/paper with ‘Good love/Bad love’ (a term for mothering gone bad) written on it; the year was 1979, Alex was left in charge as interim chief as his bosses are on sabbatical. The above phrase was the title of a conference proposal sent by Katherine De Bosch, daughter, on behalf of Andres B. De Bosch, PhD, to the WPMC. Delaware had rejected the proposal, the subject matter was uninteresting, and Bosch was ill known for originality.
The reader is now introduced to the plot - and lest this review should contain spoilers, suffice it to say - the read is exciting and intriguing! Kellerman at his best! And he even threw in Rover for good measure - takes the pressure off the reader!
+-+Authored+by+Jonathan+Kellerman.jpg)
Stephen Huff, an LA court judge is against granting Wallace paternal rights, considering history, and asks Alex to draw up a profile with the help of the children, to stall the procedure, stating that the visitation would further harm their already fragile psyches. Whilst Delaware is contemplating just how to break the ice with the girls, he ignores the package that arrived for him that morning. When he retrieves the brown package later, he finds an audio cassette inside, he plays it to find out what the message in it is; Alex is sickened and shocked - a blood curdling scream of a male, panting like an animal, howling in torturous pain. So loud an disturbing are these maniacal sounds, that Alex moves to lower the volume, and just as he is about to - silence ensues from the tape.
A new, almost cherubic, ethereal voice, a child’s - starts a low, stomach-turning, ghostly chant: ‘Bad love, bad love…Don’t give me that bad love…’ It is repeated four or five times, creepier and more onerous than earlier, Alex could almost see in his mind’s eye, the child who was chanting - ghostly, grey and emaciated.
As he delved into his ‘Black Museum’ aka the bottom drawer where he kept his files, all the while his mind is overwhelmed and replaying sounds of the chant. He decides against retrieving the Ruthanne files, and instead tries to find the meaning of the phrase ‘bad love’ - ransacking the corners of his mind – past and present- lifting and opening recesses - still no clue. Could it be a client from the past, giving in to his/ her schizoid fantasies, or was it Wallace come to haunt him from behind prison walls?
Delaware decides to reach out to Milo Sturgis, the LAPD detective and friend. However, Sturgis is especially busy since all the efforts the Department made to ensure he retires early - are stalled by the rock willed officer. Meanwhile, as Delaware comes home, he is greeted by a bulldog, which he waters and takes to a vet. On his way back, he chats up with Milo, who tells him that sometime earlier a social worker called Rebecca Basille was murdered, and the killer had screamed the phrase out loud enough for a clinic director to have heard it but he wasn’t able to save her, as the psycho hacked her to bits.
In the evening, when Milo pays him a visit, he also christens the dog – Rover. They try and find clues about the origin of the tape - but are helpless. Meanwhile, as the days progress, Alex is sent chilling reminders – a creepy laugh on the phone, vandalism and trespassing. He seems to be the target of a sick psycho, out to get him. But who is it?
An intricate plot weaves its way into Delaware’s past when he worked at the LA’s Western Pediatric Medical Centre as a child psychologist. He comes across a file/paper with ‘Good love/Bad love’ (a term for mothering gone bad) written on it; the year was 1979, Alex was left in charge as interim chief as his bosses are on sabbatical. The above phrase was the title of a conference proposal sent by Katherine De Bosch, daughter, on behalf of Andres B. De Bosch, PhD, to the WPMC. Delaware had rejected the proposal, the subject matter was uninteresting, and Bosch was ill known for originality.
The reader is now introduced to the plot - and lest this review should contain spoilers, suffice it to say - the read is exciting and intriguing! Kellerman at his best! And he even threw in Rover for good measure - takes the pressure off the reader!
+-+Authored+by+Jonathan+Kellerman.jpg)
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