A detective novel published in 2003, by P. D. James displaying the detective skills of her favourite Detective-Commander Dalgliesh of Scotland Yard, The Murder Room is set in Dupayne Museum in London Borough of Camden. Like all her novels, James is partial to a murder in an enclosed space with elaborate setting even in this book.
While James is a crime novelist, this book highlights how James is essentially a War novelist, who speaks about the troubles and torments she had to face growing up and after marriage. The book with the story about a murder that takes place in the Dupayne Museum, which is described as a museum for relics collected in between World War I and II, is less a mystery and more an ode to that era.
The story begins with Commander Dalgliesh - he is already acquainted with the famous Dupayne Museum, which houses some of the most notorious murders that took place between the years of 1919 and 1939. The Dupayne Museum is owned by 3 siblings, who are in disagreement about selling the property and shutting down the museum. Upon the murder of Neville Dupayne, one of the three siblings, Commander Dalgliesh is called in to investigate especially when it is clear that the murderer has purposely replicated the murder scene to resemble one of the murders showcased in the Murder Room of the Dupayne Museum.
Commander Dalgliesh is however no longer alone in this novel. While fastidiously gathering evidence and interrogating suspects, his romantic relation with Dr. Emma Lavenham is also shown to be blossoming. With secrets unraveling and the truth coming to light, Dalgliesh learns that the victim had intended to shut down the Museum going against the wishes of it staff and his siblings. With meticulousness that can only be attributed to Dalgliesh, he painstakingly collects evidence and reveals the culprit.
Even though the topic broached by this book is a strong one, its projection through expressions does not make it realistic or believable. This is mainly because of P. D. James inherent dislike for slang language and wrong English. As a result, most of her characters, including thugs - who one would assume speak in slangs, speak impeccable English in the book.
Another important issue that comes to light in this book is James’ age and era. She tries to modernize the crime and the setting; however her characters speak in very Edwardian English. As a result the dialogue delivery is weak, even the speech in general is grammatically correct and impressive. And it is interesting to note that even though she has attempted to modernize the feel of the book, its essence is overall conservative, not just in the political sense, but also in the fact that most of the murders that take place are because James’ culprits do not want change.
A good read, but the settings and speech are a stark contrast to the attempted modern day plot and characters.
While James is a crime novelist, this book highlights how James is essentially a War novelist, who speaks about the troubles and torments she had to face growing up and after marriage. The book with the story about a murder that takes place in the Dupayne Museum, which is described as a museum for relics collected in between World War I and II, is less a mystery and more an ode to that era.
The story begins with Commander Dalgliesh - he is already acquainted with the famous Dupayne Museum, which houses some of the most notorious murders that took place between the years of 1919 and 1939. The Dupayne Museum is owned by 3 siblings, who are in disagreement about selling the property and shutting down the museum. Upon the murder of Neville Dupayne, one of the three siblings, Commander Dalgliesh is called in to investigate especially when it is clear that the murderer has purposely replicated the murder scene to resemble one of the murders showcased in the Murder Room of the Dupayne Museum.
Commander Dalgliesh is however no longer alone in this novel. While fastidiously gathering evidence and interrogating suspects, his romantic relation with Dr. Emma Lavenham is also shown to be blossoming. With secrets unraveling and the truth coming to light, Dalgliesh learns that the victim had intended to shut down the Museum going against the wishes of it staff and his siblings. With meticulousness that can only be attributed to Dalgliesh, he painstakingly collects evidence and reveals the culprit.
Even though the topic broached by this book is a strong one, its projection through expressions does not make it realistic or believable. This is mainly because of P. D. James inherent dislike for slang language and wrong English. As a result, most of her characters, including thugs - who one would assume speak in slangs, speak impeccable English in the book.
Another important issue that comes to light in this book is James’ age and era. She tries to modernize the crime and the setting; however her characters speak in very Edwardian English. As a result the dialogue delivery is weak, even the speech in general is grammatically correct and impressive. And it is interesting to note that even though she has attempted to modernize the feel of the book, its essence is overall conservative, not just in the political sense, but also in the fact that most of the murders that take place are because James’ culprits do not want change.
A good read, but the settings and speech are a stark contrast to the attempted modern day plot and characters.
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